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	<title>sevdiğim şeyler...</title>
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		<title>Gattopardo, Il</title>
		<link>http://elvedabungunpazartesi.wordpress.com/2008/05/14/gattopardo-il/</link>
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		<pubDate>Wed, 14 May 2008 21:07:41 +0000</pubDate>
		<dc:creator>elvedabungunpazartesi</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[  This beautiful film, which I saw some time ago, remains in my memory as a profound study of a man in a position of power who thinks, reflects on important values, as well as his own aging process&#8230;and yet the film is never static. Burt Lancaster gave a brilliant performance&#8230;which I read was his [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=elvedabungunpazartesi.wordpress.com&amp;blog=3716601&amp;post=21&amp;subd=elvedabungunpazartesi&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p style="text-align:center;"><a href="http://elvedabungunpazartesi.files.wordpress.com/2008/05/gattopardo-il2.jpg"><img class="size-medium wp-image-24 aligncenter" src="http://elvedabungunpazartesi.files.wordpress.com/2008/05/gattopardo-il2.jpg?w=211&#038;h=300" alt="" width="211" height="300" /></a></p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">This beautiful film, which I saw some time ago, remains in my memory as a profound study of a man in a position of power who thinks, reflects on important values, as well as his own aging process&#8230;and yet the film is never static. Burt Lancaster gave a brilliant performance&#8230;which I read was his favorite role. Visually, it is stunning. The long dance scene with Claudia Cardinale is justifiably famous&#8230;one of the sexiest scenes on film, in my opinion. To anyone interested in serious concerns, cinematically expressed with grace and intelligence, I would urge you to see this splendid film.</p>
<p style="text-align:center;"> </p>
<p><span id="more-21"></span></p>
<p style="text-align:left;">IMDB TRIVIA:<br />
- Luchino Visconti wanted Laurence Olivier for the title role but his producers insisted on a movie star with clout at the box office and thus, Burt Lancaster was cast.<br />
- Warren Beatty flew to Rome to meet Visconti with the possibility of playing Tancredi but turned it down. He later told his publicist that Visconti had been &#8216;begging him&#8217; to star in the movie.<br />
- Such was Visconti&#8217;s attention to detail that Claudia Cardinale had a period embroidered handkerchief tucked into her purse, a prop that was never seen on camera.<br />
- Although Claudia Cardinale&#8217;s dialogue was dubbed by &#8216;Solvejg D&#8217;Assunta&#8217; , her voice can still be heard in some scenes, in particular when her and Alain Delon run around the empty house; her deep and hearty laugh being quite distinctive.</p>
<p style="text-align:left;">AWARDS:<br />
- Academy Awards, USA<br />
   1964 Nominated &#8220;Oscar&#8221;<br />
      Best Costume Design, Color: Piero Tosi<br />
- Cannes Film Festival<br />
   1963 Won &#8220;Golden Palm&#8221;<br />
      Luchino Visconti<br />
- David di Donatello Awards<br />
   1963 Won &#8220;David&#8221;<br />
      Best Production  (Migliore Produzione): Goffredo Lombardo, Tied with Glaive et la balance, Le (1963).<br />
- Golden Globes, USA<br />
   1964 Nominated &#8220;Golden Globe&#8221;<br />
      Most Promising Newcomer &#8211; Male: Alain Delon<br />
- Italian National Syndicate of Film Journalists<br />
   1964 Won &#8220;Silver Ribbon&#8221;<br />
      Best Cinematography, Color  (Migliore Fotografia a Colori): Giuseppe Rotunno<br />
      Best Costume Design  (Migliori Costumi): Piero Tosi<br />
      Best Production Design  (Migliore Scenografia): Mario Garbuglia</p>
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		<title>propaganda</title>
		<link>http://elvedabungunpazartesi.wordpress.com/2008/05/13/propaganda/</link>
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		<pubDate>Tue, 13 May 2008 17:26:33 +0000</pubDate>
		<dc:creator>elvedabungunpazartesi</dc:creator>
				<category><![CDATA[şiirler...]]></category>

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		<description><![CDATA[köleler gördüm, karavaşlar hayaları burulmuş bir adamın ayaklarını yıkamaktalardı artık kelimeleri kalmamış fiyatları sormaktan saçları taranılmaktan usanmışlar sinemalarda saklanıyor kışın yaz olunca denizin yalayışlarına kaldırımlarda demokrat otobüslerde dindar geceyi saatlerine bakarak anlıyorlar ve sabah gökyüzünün karnını gerdiği zaman dağların kokusundan fabrikalar acıkınca köleler! gözleri camekânlarda. silâhlar gördüm namlusu akla çevrilmiş sahra topları mürekkebin utandığını gördüm [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=elvedabungunpazartesi.wordpress.com&amp;blog=3716601&amp;post=11&amp;subd=elvedabungunpazartesi&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>köleler gördüm, karavaşlar<br />
hayaları burulmuş bir adamın ayaklarını yıkamaktalardı<br />
artık kelimeleri kalmamış fiyatları sormaktan<br />
saçları taranılmaktan usanmışlar <span id="more-11"></span><br />
sinemalarda saklanıyor kışın<br />
yaz olunca denizin yalayışlarına<br />
kaldırımlarda demokrat<br />
otobüslerde dindar<br />
geceyi<br />
saatlerine bakarak anlıyorlar<br />
ve sabah<br />
gökyüzünün karnını gerdiği zaman<br />
dağların kokusundan fabrikalar<br />
acıkınca<br />
köleler!<br />
gözleri camekânlarda.<br />
silâhlar gördüm<br />
namlusu akla çevrilmiş sahra topları<br />
mürekkebin utandığını gördüm basılı kâğıtlarda<br />
tetiğe basan parmaklarda çare yok, gördüm mürekkebi:<br />
çare yok, radyoları kapatsam<br />
çare yok, secde etsem anılarıma<br />
bu bozulmuş yeminlerin bayrakları altında<br />
olacak şeymi duymak portakal bahçelerini<br />
mermiler araya girmeden anlayabilir miyiz artık<br />
hangi kızlar hangi serin yerlerimize değdi:<br />
sanırdık saçlarımız kumrularla kaplanır<br />
bir çocuk, işte ırmak! diyerek haykırınca<br />
o zaman belki çocuklar zabıtalardan daha çoktu<br />
belki biz daha çok ağlardık bir aşk pıhtılanınca:<br />
gördüm<br />
gözlerinde zındanlarla bana baktıklarını<br />
düşündüm yaslanarak şehrin kasıklarına<br />
düşündüm kafa kemiklerimi eritinceye kadar<br />
nedir bu kölelerin olanca silâhları<br />
silahların köleleri olmaktan başka.<br />
bıkmadım<br />
koyu renkler kullanıyorum hayatımda<br />
koyu mavi, acıyı anlatırken<br />
sessizce öperken, koyu beyaz<br />
ve saçlarım hakaretlerle okşanırken<br />
koyu bir itiraf sarıyor beni.<br />
susmak elbette zehirlidir<br />
ve rahatlık getirir yazıklanmak da.<br />
ey tenimde uzak yolculukların lekeleri!<br />
ey çocuklarda uyuyan intizamsız güneşler!<br />
gelin ve boğdurun bu köleleri.</p>
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